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In many ways, perhaps that was the very end of the period of thinking of America as wholesome and benevolent. But I think it’ll be the beginning of the traditional musical journey that we’ve always referred to in that period where the songs will take us through a version of America that certainly seemed true and possible at that time. Whether or not we go completely in sequence, we’ve yet to work out.
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We will either start with “Streets,” or end with it, I might think, but there will be a scene change. We won’t know until we start playing it around quite a bit. I think we would definitely want to open with perhaps something that is not dissimilar to the Songs of Innocence run and get people in the mood for this thing that’s coming and you give some sense of history of where it came from. We haven’t really sat down and worked out the dynamics of it yet, but I suspect it would sit as the crown in the show. He wasn’t sure the show was going to start with “Streets” and go right into the album. No matter how good the songs are, you’re still just a speck on the stage and you’re still dependent on the PA system. It also meant that every night Bono had to really put himself out there to try and connect to people. We had a fervent belief that the music was absolutely adequate and big enough to fill a stadium, so it was really a challenge to us. We thought it would, in some ways, dilute the music. We steered away from video reinforcement, which was just happening at the time. When we went outdoors in the stadiums, we didn’t have any tricks. So when that happened we were forced to go from arenas out into stadiums, and that was a huge, huge step for a bunch of Irish guys who were 25, 26 and had just put our back into this thing called U2 and it had been a five-, six-, seven-year sort of journey for us, a pilgrimage in many ways. That was a tour that started in arenas and in the course of the year-long progress of that album, since that was back in the very, very old days where when you put out an album, it sold and there was word of mouth and it got bigger and eventually it got to Number One on the charts and everyone knew it. But we thought, “Well, maybe in honor of The Joshua Tree we could go back out there and do shows that are much more rooted in what that experience was about.” That’s because when we took the Joshua Tree show out a couple of interesting things happened. Well, one of the early ideas was that perhaps, because the Experience tour when we get back out to it will be an indoor tour that’s focused on the production we had pioneered on the Innocence tour, it was going to be that production taken further. I know the first thought was to maybe do one American Joshua Tree show and one in Europe.
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I’m all in favor of new artists coming up to be people that make a lot of noise, but I’m happy to still be a part of the movement. That was an interesting setting, but … looking back from 30 years, the story that it tells me the most is how much I’ve changed and how much I need to look at good, liberal values and how the world is really looking and what I accept from the news and what I want from politics now from someone that is less likely to be standing at the barricade. you had Reaganomics and the kind of imperial power inserting itself into Central American politics and some pretty bad deeds going on from drug money funding arms for that war.
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that was trying to destroy the coal-mining business and set up a different kind of economy in the U.K. You had a Thatcher-ite government in the U.K. I think it’s interesting to be able to go back to the Joshua Tree record because when we put that record out and when we were working on it, it was a bleak world in terms of America and the U.K. There’s maybe something we missed and we need to start watching this.” That sort of encouraged us to go away from trying to finish the record too quickly without being able to factor in some of the things this is telling us. And that was like, “Oh, OK, there’s something going on here. Then, quite quickly on the back of it, was the rise of Trumpism. First of all, there was Brexit in the U.K., which was just a signal that things were changing. As a challenge that was, “OK, we’re going to have to look at this differently.” Also, in the course of that year, some kind of strange political movements seemed to start happening.
U2 THE JOSHUA TREE DOCUMENTARY FULL
By the time we finished the Innocence tour and came full circle to focus on the album, it was clear we weren’t going to be able to flip it really quickly into the Experience side of the material and put it right back out on tour. Well, the idea was really that we wanted to make sure we focused on the Experience album. I know that the Innocence + Experience Tour was originally slated to go into 2016.